视频简介
海瑟是一位生活在安静街区的艺术家，她努力在生活与理想边缘挣扎求生。某天她巧遇新邻居泰勒，一位温柔有才又英俊的摄影师。起初海瑟对他十分感兴趣，暧昧气氛也在他们之间萌生。然而，随着当地连环谋杀案报导窜起，一些蛛丝马迹的浮现，让海瑟开始怀疑泰勒是否参与其中。。这是一部华丽的真人秀，也是一部现实肥皂剧，主角是一群年纪轻轻就名利双收的一线媒体人物。这些雄心勃勃的音乐、媒体、时尚和网络名人都是朋友或熟人，他们从南非、尼日利亚和东非来到约翰内斯堡，以寻找爱情，重燃旧情，挽回一段关系，同时继续在镜头前绽放光彩。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
